ReVibe

Terms of Service

These terms cover what we do with the music you upload, what you get when you buy, and the rights you keep. Your music stays yours — always.

Last updated 19 August 2026 · v20 · ReVibe Mastering Ltd, registered in England and Wales (Company No. 17296636)

§01 — Acceptance of Terms

These Terms of Service (“Terms”) are a binding agreement between you (“User”, “you”) and ReVibe Mastering Ltd, a company registered in England and Wales (Company No. 17296636), registered office: Your Company Formations, 128 City Road, London, EC1V 2NX (“ReVibe”, “we”, “us”). By accessing the Platform at revibe.music, uploading audio, or making a payment, you accept these Terms.

  • Age: you must be at least 18 years old to use the Platform or make a purchase. We do not knowingly collect data from under-18s (UK GDPR; ICO Age Appropriate Design Code) and will take reasonable steps to restrict or terminate accounts of suspected minors. Reports: legal@revibe.music.
  • Changes: we may update these Terms. Material changes will be notified by email or prominent notice at least 14 days before taking effect; continued use after the effective date constitutes acceptance.

✅ Your statutory rights: nothing in these Terms limits or excludes your rights under the Consumer Rights Act 2015 or other applicable consumer law. If any provision conflicts with your statutory rights, your statutory rights prevail.

§02 — Definitions

  • Platform — the ReVibe website, applications and services at revibe.music.
  • User Content — audio files and associated material you upload.
  • Processed Output — any file generated by the Platform from your User Content, including masters, Performance Versions and previews.
  • Processing Services — automated mastering, source separation, mixing and rendering carried out by the Platform. All processing is technical and automated; no person listens to your audio.
  • The Mixer — the Platform feature that separates an uploaded track into four parts (Vocals · Drums · Bass · Other) and lets you rebalance or remove parts with faders. Guitars, keys and synths are processed together as a single “Other” layer and are not separated individually.
  • Split — one separation of one track into its four parts for use in the Mixer.
  • Free Split — the one free, full-length, watermarked Split available per User per rolling 7-day period, as described in §08.
  • Performance Version — a clean rendered mix from the Mixer that keeps two or more of the four parts (for example an instrumental or play-along backing track). Individual isolated parts are not offered for download.
  • Preview Output — the free A/B/C/D mastering comparison (level-matched Original plus up to three processed presets). Preview Output in the comparison player is not watermarked; it is streamed for evaluation only and is not licensed for any commercial, distribution or public use.
  • Audio Watermark — an audible spoken “ReVibe” identifier embedded at intervals of approximately every 30 seconds in Split previews and Car Test files. The Audio Watermark is never present in paid downloads.
  • Car Test — full-length watermarked audition versions rendered to your account so you can listen on other systems before purchase. Audition use only; not licensed for commercial, distribution or public use.
  • Reference Track — any third-party audio uploaded for comparison purposes; uploaded at your own risk and subject to §04 and §10.
  • Rights Holder — the owner of copyright or related rights in a work.
  • Mastering Credit — one unit entitling the holder to one clean, watermark-free 24-bit WAV master of one track. Sold singly (£5.99) or in Mastering Bundles. Per-customer, non-transferable, and does not expire. Mastering Credits apply to mastering only.
  • Mastering Bundle — a pack of Mastering Credits: 3-Track (£12.99), 5-Track EP (£19.99), 12-Track Album (£39.99).
  • Storage Window — the period during which purchased files remain stored and re-downloadable: 3 months from purchase, free (§09).

§03 — Description of Service

  • Automated mastering with streaming-platform loudness targeting (−14 LUFS), delivered as a free A/B/C/D comparison (level-matched Original plus Balanced, Warm and Bright presets) with tone controls, before any payment.
  • A purchased master delivers four things: your chosen master as a 24-bit WAV, a 320 kbps MP3, the ReVibe Report, and a before/after spectrum analysis.
  • The Mixer (“Remove a Part”) — separation of your track into four parts, with fader control to build Performance Versions. One free, full-length, watermarked Split is available per rolling 7-day period so you can hear the complete result in the Mixer before paying.
  • Car Test (“Take it away”) — full-length watermarked audition files rendered to your account for listening on other systems.
  • Source-appropriate restoration (for example noise reduction on tape or bandwidth-limited sources) where the Platform detects it is needed.

ℹ Service nature: all processing is automated and technical. ReVibe does not audition, review or exercise editorial control over User Content, and no manual listening takes place.

ℹ Watermark notice: Split previews and Car Test files carry an audible spoken watermark at intervals of approximately every 30 seconds; its presence is indicated in the player interface. The A/B/C/D mastering comparison is not watermarked. No paid download ever contains a watermark. Attempting to remove, circumvent or distribute watermarked files is prohibited under §10.

ℹ Honesty note on separation: source separation quality varies with the source recording. Guitars, keys and synths are handled as one grouped Other layer — individual separation of these instruments is not offered. Small amounts of residual audio may remain depending on the original recording. Preview the full result before purchasing.

§04 — User Responsibilities & Copyright

By uploading User Content you warrant that: you own it or hold all licences needed for the processing you request; the upload and processing do not infringe any third party's rights; you have the right to grant the §05 licence; and the content is lawful. You acknowledge that separating or removing parts from commercial recordings owned by others may constitute a restricted act under the Copyright, Designs and Patents Act 1988 unless you are authorised. Reference Tracks are uploaded at your own risk.

  • Live performance: processing a track grants no public-performance rights. Venues require their own licence (TheMusicLicence, PPL PRS Ltd). ReVibe accepts no liability for unlicensed performance of Processed Outputs.
  • Own compositions: the service is designed for your own recordings and compositions — masters for release, backing tracks for your own performance and practice.

§05 — Intellectual Property

  • You retain everything. You keep all copyright and IP in your User Content and in every Processed Output generated from it, including masters and Performance Versions. ReVibe claims no ownership interest in your audio, before or after processing.
  • Limited technical licence: by uploading, you grant ReVibe a limited, non-exclusive, non-transferable, royalty-free licence to store your audio temporarily on secure cloud infrastructure, process it with automated systems, and deliver previews and downloads to you. This licence exists solely to provide the Processing Services; it does not permit ReVibe to distribute, broadcast, sub-license, sell, promote with, or otherwise exploit your audio for any other purpose.
  • ✅ No training on your audio: ReVibe does not use User Content or Processed Outputs to train, tune or improve any automated processing model or system. Your audio is processed and then deleted in accordance with §09.
  • Platform IP: all software, processing chains, interface design, branding and platform technology remain the exclusive property of ReVibe Mastering Ltd.

§06 — Copyright Takedown Procedure

ReVibe complies with the applicable provisions of the Copyright, Designs and Patents Act 1988 and the principles of the DMCA. Rights Holders who believe content processed via the Platform infringes their copyright may submit a takedown notice to legal@revibe.music containing: (1) full legal name, address, telephone and email; (2) identification of the copyrighted work; (3) identification of the specific content claimed to infringe, in sufficient detail to locate it; (4) a good-faith statement that the use is not authorised by the Rights Holder, their agent, or the law; (5) a statement, under penalty of perjury, that the notice is accurate and the submitter is or represents the Rights Holder; (6) a physical or electronic signature.

On receipt of a valid notice we will act expeditiously to remove or disable access to the identified content and will notify the uploading User, who may submit a counter-notice to the same address. Content subject to a counter-notice will be restored within 10–14 business days unless the Rights Holder initiates court proceedings. Repeat infringers' accounts will be terminated.

§07 — Safe Harbour & Platform Liability

ReVibe operates as a passive technical processing platform and does not monitor, screen or pre-approve User Content. In accordance with the Electronic Commerce (EC Directive) Regulations 2002 and relevant safe-harbour principles: ReVibe is not liable for infringement arising from User Content of which it had no actual knowledge; on obtaining knowledge (via valid notice or otherwise) ReVibe will act expeditiously to remove or disable access; ReVibe does not financially benefit from infringing activity it is able to control. Safe-harbour protection does not apply where there is actual knowledge plus inaction, or a direct financial interest in infringing activity ReVibe controls.

§08 — Payments, Refunds & Credits

Payments are processed by Stripe Payments Europe Limited; by paying you also agree to Stripe's terms. Where applicable, VAT is charged per UK and EU regulations and shown at checkout. There are no subscriptions and no recurring charges.

Products and prices (per the published price list, which forms part of these Terms):

  • Master — £5.99 per track (1 Mastering Credit). The credit is consumed only on successful delivery of the clean 24-bit WAV. Cancelling a render before delivery consumes nothing and incurs no charge.
  • Mastering Bundles — 3-Track £12.99 · 5-Track EP £19.99 · 12-Track Album £39.99. Bundle credits apply to mastering only. Bundles stack: credits from separate purchases are held as a single balance.
  • Remove a Part — £9.99 per track: Mixer access for that track, and as many Performance Versions of it as you need, subject to the fair-usage limit in §10. Purchasing also unlocks your next Free Split.
  • Performance Pack — £14.99 per track: the Master in the preset you choose, both remaining presets as full clean 24-bit WAVs, and Mixer access for that track with Performance Versions on the same fair-usage basis. Purchasing also unlocks your next Free Split. Bought separately these come to £19.96.
  • Alternate Master Upgrade — £1.99: any alternate preset as a full clean 24-bit WAV, within 30 days of the original purchase, subject to source retention (§09).

Free Splits: one free, full-length, watermarked Split is available per User per rolling 7-day period. Each purchase of Remove a Part or the Performance Pack unlocks one further Free Split. Free Splits are a promotional allowance, are not a purchased product, carry no cash value, and may be adjusted prospectively with notice under §01.

Mastering Credits:

  • Credits are per-customer and non-transferable.
  • Credits do not expire. There is no time limit on using a credit you have paid for.
  • One credit is consumed the first time you download the clean master of a new track. Re-downloading a master you have already taken is always free within the Storage Window (§09) and never consumes a credit.
  • An Alternate Master Upgrade and a Performance Pack are separate purchases and never consume a Mastering Credit.

Performance Versions are not sold individually and are not held as a balance. Buying Remove a Part or the Performance Pack for a track gives you Mixer access to that track for as long as its files remain stored (§09), and you may download Performance Versions of it within the fair-usage limit in §10.

Refunds — your legal rights first: under the Consumer Contracts Regulations 2013 you normally have a 14-day cancellation right for online purchases. For digital content supplied immediately, that right is waived once supply begins with your express consent.

Immediate digital supply: at checkout, you must actively agree that ReVibe may begin supplying your digital content immediately and acknowledge that, once supply begins, you lose your 14-day right to cancel that purchase. Payment cannot be completed without that agreement. After a successful purchase, ReVibe sends you an email confirming the purchase and recording that acknowledgement.

Bundles and existing entitlements: where you buy a bundle, pack or other entitlement, that purchase is the contract under which the included credits or versions are supplied. Using a credit or creating a version already included in that purchase does not create a new purchase or a new 14-day cancellation period. The consent and acknowledgement you gave when buying that bundle, pack or entitlement apply to the digital content subsequently supplied under it.

Your statutory rights are unaffected. Nothing in this section limits your rights where digital content is faulty, not as described, not fit for purpose, or otherwise fails to conform to the contract.

  • Single purchases (Master, Remove a Part, Performance Pack, upgrades) are non-refundable once the associated file or access has been delivered, except where required by law or under the technical-failure terms below.
  • Bundles: refundable in full within 14 days of purchase provided no credit from the bundle has been consumed. Partial refunds of partially used bundles are discretionary. Requests: hello@revibe.music with your order reference.
  • Technical failure: a credit is consumed only on successful delivery, so a failed render never costs you one. If the Platform takes payment and then fails to deliver a Processed Output, you are entitled to a replacement render or a full refund of that purchase, at your election. Contact hello@revibe.music.
  • Goodwill re-credit: if you download the clean file for the wrong track, contact hello@revibe.music within 24 hours; we may restore one credit as a goodwill gesture, once per account per rolling 30 days. Not an entitlement; proof may be requested.
  • Faulty digital content: nothing above affects your Consumer Rights Act 2015 remedies (repair, replacement or price reduction) where digital content is faulty.

§09 — Data Retention & Storage

ReVibe is a processing service, not a long-term storage repository. Retention is determined by whether a track has been purchased:

  • Purchased tracks — the Storage Window: everything belonging to a purchased track (your uploaded source, the clean master, Performance Versions, and the retained separation that powers instant re-renders) is stored and re-downloadable for 3 months from the purchase date, free. A paid storage extension is not currently offered. If one is introduced in future it will be offered clearly at the time, and nothing will ever renew or be charged automatically.
  • Deletion notice: we email you 30 days before your Storage Window ends so you can re-download your files. If the window ends, the files are permanently deleted and cannot be recovered. Download and keep your own copies regardless.
  • Uploads that are never purchased are automatically and permanently deleted 30 days after upload. Anonymous session uploads (no account) are deleted within 24 hours.
  • Car Test files are deleted 30 days after they are rendered; they can be re-rendered from a source that remains in storage.
  • Alternate Master Upgrade is available within 30 days of the original purchase, subject to the source remaining in storage.
  • Personal account data (email, payment history, credit balances, expiry dates) is retained per our Privacy Policy and UK GDPR.

ℹ Plain language: buy something and everything for that track stays ready for 3 months, free. Nothing ever charges itself. We warn you 30 days before anything is deleted. Upload something and never buy? It clears after 30 days. Deleted means deleted — keep your own copies.

§10 — Prohibited Uses & Fair Usage

Content & rights: no uploading of content you lack rights to process; no separation, part-removal or reference-matching of third-party commercial recordings without written authorisation; no reconstruction of another artist's recording from separated parts; no counterfeiting or passing-off.

Platform integrity: no circumventing, removing or defeating the Audio Watermark; no distributing Preview Output, Split previews or Car Test files for commercial, promotional or public use; no systematic exploitation of Free Splits or previews (including multi-accounting); no sharing of accounts or download links to circumvent per-track pricing; no bots, scraping or automated access; no resale or white-labelling of the service without an enterprise agreement (legal@revibe.music).

Fraud & deception: no false metadata or impersonation; no bulk-processing of wholly synthetic or algorithmically mass-produced content for streaming fraud or DSP manipulation.

Technical abuse: no reverse engineering, deliberate load abuse, malware, or unlawful activity.

Fair usage: the service is for genuine creative work on recordings you have rights to — any genre, any standard. Bulk test files, noise or silence uploads, and volumes inconsistent with personal creative use may be throttled.

Performance Version fair-usage limit: where you have purchased Mixer access for a track, you may create up to 15 new clean Performance Versions of that track per rolling 30-day period. A version delivered as both WAV and MP3 counts as one. Re-downloading a version you have already created is never counted again. Previewing, rebalancing and reopening the Mixer are unlimited and never counted. The limit exists to prevent automated and bulk extraction, not to ration ordinary creative use; if you reach it through genuine work, contact hello@revibe.music.

⚠ Enforcement: breach may result in suspension or termination without refund, forfeiture of unused credits, removal of content, and referral to authorities where the law requires. We may review and restrict content at our reasonable discretion.

§11 — Disclaimers & Limitation of Liability

The Platform is provided “as is” and “as available”. Processing results are generated by automated systems and vary with the quality, format and character of the source audio; ReVibe does not guarantee any particular artistic or technical result, nor consistency across tracks, genres or recording conditions. Evaluate the full-length preview before purchasing — the Platform is built so you can.

  • ReVibe is not liable for your use, performance or distribution of Processed Outputs, nor for third-party copyright claims arising from your uploads.
  • We do not warrant uninterrupted or error-free availability and may modify, suspend or discontinue features with reasonable notice where practicable.
  • Liability cap: ReVibe's total aggregate liability to you is limited to the fees you paid in the 3 months preceding the event giving rise to the claim.
  • Carve-outs: nothing excludes or limits liability for death or personal injury caused by negligence, for fraud or fraudulent misrepresentation, or for any liability that cannot be excluded under the law of England and Wales.

⚠ Indemnity: you agree to indemnify and hold harmless ReVibe Mastering Ltd, its directors, employees and agents against claims, damages, costs and expenses (including reasonable legal fees) arising from your breach of these Terms, your infringement of third-party rights, or your unlawful use of the Platform.

§12 — Governing Law & Disputes

These Terms are governed by the law of England and Wales, and its courts have exclusive jurisdiction, subject to the tiered process below and to any mandatory consumer-law rights to bring proceedings in your country of residence.

  • Step 1 — talk to us first (mandatory): email legal@revibe.music with the details. We acknowledge within 5 business days and respond substantively within 15. Neither party escalates within 30 days of the notice except for urgent interim relief.
  • Step 2 — mediation: unresolved disputes are referred to CEDR mediation (Model Mediation Procedure, costs shared equally) before litigation, save for urgency.
  • Step 3 — courts of England and Wales.

Claims period: any claim must be brought within one year of the date it accrues, after which it is permanently time-barred — subject always to statutory rights that cannot be limited. EU consumers may also use the EC Online Dispute Resolution platform (ec.europa.eu/consumers/odr); our ODR contact is legal@revibe.music.

§13 — General

  • Entire agreement: these Terms, the published price list and the Privacy Policy are the entire agreement between us regarding the Platform.
  • Severability: if any provision is found unenforceable, the remainder continues in full effect.
  • No waiver: failure to enforce a provision is not a waiver of it.
  • Assignment: you may not assign these Terms; ReVibe may assign to a successor in business with notice.
  • Force majeure: neither party is liable for delay or failure caused by events beyond reasonable control (excluding your payment obligations).
  • Closing your account: you may close your account at any time via the Platform or by emailing hello@revibe.music. Closure does not entitle you to a refund of consumed credits; unused paid credits remain refundable only per §08. Download your files first — closure ends your Storage Window.

Legal Contact & Correspondence

legal@revibe.music — legal notices, takedowns, disputes, ODR, enterprise enquiries, under-18 reports · hello@revibe.music — support, refunds, credit restoration, goodwill re-credits.

Notices under these Terms must be sent by email to the relevant address above. We do not operate a postal correspondence channel, and post sent to our registered office may not reach us. The registered office given in §01 is stated for company-law and consumer-information purposes; nothing in this paragraph affects any right you may have to serve documents on the company at its registered office under the Companies Act 2006.